Dell Hymes Quick Facts

Dell Hymes, an influential sociolinguist, anthropologist, and folklorist.

Profile

• Birth Name: Dell Hathaway Hymes
• AKA: Dell Hymes; Dell H. Hymes
• Date of Birth: June 7, 1927
• Place of Birth: Portland, Oregon, USA
• Zodiac Sign: Gemini
• Date of Death: November 13, 2009
• Died at Age: 82
• Place of Death: Charlottesville, Virginia, USA
• Place of Burial: NA
• Cause of Death: Kidney failure & Alzheimer’s disease
• Ethnicity: White
• Nationality: American
• Father: Howard Hathaway
• Mother: Dorothy (née Bowman) Hymes
• Siblings:

1. Brother: Corwin Hymes

• Spouse:

1. Virginia (née Dosch) Wolff (m. 1954)

• Children:

1. Daughter- Vicky (Wolff) Unruh (by Virginia’s first marriage) (spouse: David)
2. Son - Robert Paul Wolff Hymes (by Virginia’s first marriage) (spouse: Debora Worth)
3. Daughter- Alison Bowman Hymes
4. Son- Kenneth Dell Hymes (spouse: Leisl Patton Hymes)

• Alma Mater: Reed College; Indiana University.
• Dell Hymes is known for: pioneering the connection between speech and human relations and human understandings of the world.
• Dell Hymes is criticized for: NA
• Dell Hymes was influenced by: Franz Boas, Edward Sapir, Harry Hoijer, Roman Jakobson, Erving Goffman, Ray L. Birdwhistell, and Harold Garfinkel, Harvey Sacks, Emanuel Schegloff, and Gail Jefferson.
• Dell Hymes’s Works Inspired: Richard Bauman, Henry Glassie, and Lee Haring.
• Research Interests: Anthropology, Native American mythology, ethnopoetics.

Career History

• Hymes' first faculty position was at the Harvard University where he remained five years.
• In 1960, he joined the faculty of the University of California, Berkeley and served there for five years.
• Dr. Hymes joined the University of Pennsylvania faculty in 1965 as professor of folklore and linguistics and of anthropology.
• From 1975 to 1987, he served as the dean of the University of Pennsylvania Graduate School of Education.
• He left Pennsylvania in 1987 to serve on the faculty at the University of Virginia in both the anthropology and English departments. He retired from Pennsylvania in 1998 as an emeritus professor.

Quotes

"We have then to account for the fact that a normal child acquires knowledge of sentences not only as grammatical, but also as appropriate. He or she acquires competence as to when to speak, when not, and as to what to talk about with whom, when, where, in what manner. In short, a child becomes able to accomplish a repertoire of speech acts, to take part in speech events, and to evaluate their accomplishment by others. This competence, moreover, is integral with attitudes, values, and motivations concerning language, its features and uses, and integral with competence for, and attitudes toward, the interrelation of language with the other code of communicative conduct."- Dell Hymes, “On communicative competence”

“The specification of ability for use as part of competence allows for the role of non cognitive factors, such as motivation, as partly determining competence. In speaking of competence, it is especially important not to separate cognitive from affective and volitive factors, so far as the impact of the theory on educational practice is concerned; but also with regard to speech design and explanation” - Dell Hymes, “On communicative competence”

"The concept of performance will take on great importance, in so far as the study of communicative competence is seen as an aspect of what from another angle may be called the ethnography of symbolic forms, the study of the variety of genres, narration, dance, drama, song, instrumental music, visual art, that interrelate with speech in the communicative life of a society and in terms of which the relative importance and meaning of speech and language must be assessed - Dell Hymes, “On communicative competence”

Major Works

Language in Culture and Society: A Reader in Linguistics and Anthropology (1964)
"In Vain I Tried to Tell You": Essays in Native American Ethnopoetics (1981)
Reinventing anthropology (1972)
Ethnography, Linguistics, Narrative Inequality: Toward an Understanding of Voice (1996)
Now I Know Only So Far (2003)
American Structuralism (1975)
Breakthrough Into Performance (1973)
Essays in the History of Linguistic Anthropology (1983)
Language in Education: Ethnolinguistic Essays (1980)
The use of computers in anthropology (1965)
On Noam Chomsky: Critical Essays (1974)
Foundations in Sociolinguistics: An Ethnographic Approach (1974)

Did You Know?

• Between 1944 to 1945 Hymes attended public schools in Oregon.
• After one year of his enrollment at Reed College, Hymes joined the army and served two years as clerk in South Korea during the World War II.
• After the war he returned to Reed in 1947 and studied under legendary anthropology professor David French and his wife Kay Story French.
• In 1950, Hymes earned his bachelor’s degree in literature and anthropology from Reed College.
• He earned his Ph.D. in linguistics from Indiana University in 1955.
• He coined the term “Communicative competence” in reaction to Noam Chomsky’s (1965) concept of “linguistic competence”.
• He postulated the SPEAKING Model.
• He was one of the first to call the fourth subfield of anthropology "linguistic anthropology" instead of "anthropological linguistics".
• He served as the president of the Linguistic Society of America in 1982, of the American Anthropological Association in 1983, and of the American Folklore Society.
• In 1972, Hymes founded the journal Language in Society and served as its editor for 22 years.
• In 2006, he was awarded the Gold Medal of Philology.
• Hymes’ first marriage was a failure and ended in divorce.
• He got married for the second time in 1954 to Virginia Dosch Wolff.
• Hymes and Virginia were married for 55 years until his death in 2009.
• Hymes adopted Virginia’s two children by her first marriage.
• His wife, Virginia Hymes, was also a sociolinguist and folklorist.
• Like Hymes, Virginia went on to work for more than half a century on Native American cultures and languages.
• It is alleged that during his tenure at the University of Pennsylvania he was involved in sexually harassing a number of women.
• In 1981, Hymes published his seminal work, 'In Vain I Tried to Tell You': Essays in Native American Ethnopoetics.
• Hymes is best known for his pioneering work in ethnopoetics.

Photographs

Poetry Friday Celebration of Lee Bennett Hopkins

Our Poetry Friday community is gathering to remember Lee Bennett Hopkins and to celebrate his work and his legacy. I started by going to my "poetry study" and taking a picture of all Lee's books I have-- a whole shelf's worth!

I also found my copy of Dear One, a book project that Janet (Wong) and I put together 10 years ago when Lee won the National Council of Teachers of English Award for Excellence in Poetry for Children. Over 50 different poets contributed to that little book as a tribute to Lee and it's been lovely to revisit those tributes-- as relevant now as they were then. I know Lee was thrilled to receive this little surprise. 

There are so many things to remember and celebrate about Lee-- his lively personality, his critical eye, his big heart, his skilled mentorship, his treasure trove of gossip, his long and loving relationship with Charles, his creativity and productivity, his advocacy of poetry, and so much more. Visit Lee's website to read a bio and check out the video interviews he did with poet and teacher Renee LaTulippe over at NoWaterRiver. They're about the history of poetry for young people and the recipients of the NCTE Poetry Award, but they're also about him, his humor, and his deep knowledge of children's literature. 

And let's not forget the awards he established to promote poetry, poets, and outstanding books of poems for young people:
The Lee Bennett Hopkins Award (I created a "toolbox" for promoting those books here.)
& The Promising Poet Award
& the SCBWI Lee Bennett Hopkins Award
These awards will help ensure that Lee's poetry legacy continues. 

And of course his massive body of work is still with us! With more than 100 anthologies of poetry for young people, there's something for everyone. Go get one of Lee's books this week and read the poems aloud to young people you care about. If there's one thing that Lee would ask of us, it would be to share more poetry with more kids more often. Let's go for it!

Finally, here are Lee's words from his autobiographical book, Been to Yesterdays-- a kind of "verse novel" full of emotion and personal experience. As we mourn the passing of this brilliant man and poetry giant, I hope his prayer can "give us strength" to "say good-bye."

Now head on over to the Poem Farm where poet and teacher Amy Ludwig VanDerwater is hosting ALL our Poetry Friday poems and tributes to Lee Bennett Hopkins today. 

Remembering Lee

We lost a legend this week: Lee Bennett Hopkins. This giant of a poet, poetry anthologist, and poetry advocate has had such an impact on the world of children's literature and on me, personally. I want to take a moment to honor his work and celebrate the amazing catalog of his beautiful books and his influence on the poetry community. But I also want to say how grateful to have known him, his twinkle, his toughness, and his encyclopedic knowledge. Thank you, Lee, for sharing your gifts with us.

Lee Bennett Hopkins

(from Poetry People, 2007)

Lee Bennett Hopkins was born in Scranton, Pennsylvania, on April 13, 1938 and passed away on August 8, 2019. He grew up in Newark, New Jersey, and graduated from Newark State Teachers College, now called Kean College in New Jersey. As a child, he read comic books and movie magazines until a teacher inspired him to love reading and theater. 

Hopkins worked as a writer, an editor, and as a curriculum specialist and then became a full-time writer and poetry anthologist in the 1970’s. He has been awarded an honorary doctorate from Kean College and the University of Southern Mississippi Medallion for "outstanding contributions to the field of children's literature.” His work has been recognized on countless Notable and best book lists. Called the “The Johnny Appleseed of contemporary children’s poetry,” Hopkins established two major awards to encourage recognition of poetry for young people: the annual Lee Bennett Hopkins Poetry Award for a single volume of poetry, and the Lee Bennett Hopkins Promising Poet Award, presented every three years by the International Reading Association to a new poet with two or fewer poetry books published. More recently, he also established the SCBWI Lee Bennett Hopkins Poetry Award administered every three years and “recognizes and encourages the publication of an excellent book of poetry or anthology for children and/or young adults.”

There are several anthologists who have established excellent reputations for compiling numerous high quality collections of poetry for children. Lee Bennett Hopkins may be the most prolific of all, with over 100 books of poetry to his credit as both an anthologist and as a writer. In fact, he was awarded a Guinness World Record for the most anthologies of poetry for young people. (One of my students, Beth Enochs, pursued this award for Lee!) Lee Bennett Hopkins has also nurtured many new talents in poetry, commissioning up-and-coming poets to write poems for anthologies he compiles. A few of his most popular titles include Good Books, Good Times (HarperTrophy 2000), Spectacular Science: A Book of Poems (Simon & Schuster 1999), Opening Days: Sports Poems (Harcourt 1996), School Supplies: A Book of Poems (Simon & Schuster 1996), My America: A Poetry Atlas of the United States (Simon & Schuster 2000) and Days to Celebrate: A Full Year of Poetry, People, Holidays, History, Fascinating Facts, and More (HarperCollins 2005) Indeed, as children pore over the dozens of Hopkins anthologies available, they may be inspired to create their own anthologies and even “commission” poems by their favorite friend poets.

Hopkins’ work can be an ideal jumping off point for launching a celebration of poetry with one of his collections about books, reading, language or writing. Good Books, Good Times (HarperTrophy 1990) is one popular example. What teacher, parent, or librarian doesn’t relish emphasizing the joys of reading for children who are still learning the process? This thematic collection is organized around that topic, and it includes Hopkins’ own oft-shared poem “Good Books, Good Times.” Other parallel Hopkins anthologies include Good Rhymes, Good Times (HarperTrophy 2000) and Wonderful Words: Poems About Reading, Writing, Speaking, and Listening (Simon & Schuster 2004). Also look for Mary Perrotta Rich’s compilation of the bookmark poems composed in celebration of National Children’s Book Week each year and gathered in the collection, Book Poems: Poems from National Children’s Book Week, 1959-1998 (Children’s Book Council, 1998). Children may want to create their own bookmarks with their favorite or original poem about books and reading on them. 

Teachers and librarians find Hopkins’ work helpful because so many of his anthologies are organized around themes or topics that lend themselves to teaching school subject areas. For example, Hand in Hand: An American History through Poetry (Simon & Schuster 1994) offers a chronological view of American history through poetry. Combine this with the individual experience found in Joyce Carol Thomas’s, I Have Heard of a Land ( HarperCollins 1995) or one family’s history in Ann Turner’s Mississippi Mud (HarperCollins 1997). Or try Hopkins’ collection, Spectacular Science (Simon & Schuster 1999) which includes science-related poems by writers from Carl Sandburg to Rebecca Kai Dotlich. Children will appreciate both the contextualized vocabulary and the clear imagery found in poems like “What is Science?” by Dotlich. Marvelous Math (Simon & Schuster 1997) includes math-related poems by an assortment of poets, like “Take a Number” by Mary O’Neill. These poems can help clarify terms and concepts, as well as add fun and enrichment to math lessons or tutoring.

We can also pair Hopkins’ thematic collections with fiction or nonfiction books on the same topic for added breadth. For example, link Hopkins’ anthology, It’s About Time (Simon & Schuster 1993) with Kathryn Lasky’s picture book biography, The Man Who Made Time Travel (Farrar, Straus & Giroux 2003). Children can study how time is measured by scientists versus poets or assemble a collection of various timepieces and measurement devices along with their favorite “time for poetry” poems. 

Lee Bennett Hopkins has also authored biographical and autobiographical writings. Two books about his own life and work include Writing Bug (Richard C. Owens 1993) and Been To Yesterdays: Poems Of A Life (Wordsong/Boyds Mills Press 1995) told through poems. Two collections about poets and poetry teaching include Pass the Poetry Please (HarperCollins 1986) and Pauses; Autobiographical Reflections of 101 Creators of Children’s Books (HarperCollins 1995). His advice to adults who share poetry with children is simple, but powerful: "Don't dissect poetry, enjoy it … everyday! There shouldn't be a day without poetry --it fits into every area of the curriculum, every area of life.”

P.S. Check Renee La Tulippe's website, NoWaterRiver, for fabulous video conversations between Lee and Renee about the world of poetry for children and major award (NCTE) winners.

For more sharing on this Poetry Friday, go to Nix the Comfort Zone.

EXTRA! EXTRA! Chris Baron and ALL OF ME

It's time for another installment in my "Extra! Extra!" series, inviting poets to share a poem that did NOT end up in their published book-- and provide a bit of backstory about the choice not to include that particular poem. It makes sense that not everything a writer produces ends up in the finished book and yet I'm surprised when it comes to poetry and poem collections or novels in verse. It seems like each poem would be a gem that must be included. And now that I'm seeing poems that have been omitted from finished collections, I'm even more intrigued! It's kind of like watching the "director's cut" of a movie-- with all the richness and detail that can offer. So, here we go with another example of wonderful poems that give us a bit of "extra" enjoyment of an already strong work. 

Here, Chris Baron talks about his new book, ALL OF ME, a moving novel in verse: 

"Ari has body-image issues. After a move across the country, his parents work selling and promoting his mother's paintings and sculptures. Ari's bohemian mother needs space to create, and his father is gone for long stretches of time on "sales" trips. Meanwhile, Ari makes new friends: Pick, the gamer; the artsy Jorge, and the troubled Lisa. He is also relentlessly bullied because he's overweight, but he can't tell his parents―they're simply not around enough to listen.

After an upsetting incident, Ari's mom suggests he go on a diet, and she gives him a book to help. But the book―and the diet―can’t fix everything. As Ari faces the demise of his parents' marriage, he also feels himself changing, both emotionally and physically. Here is a much-needed story about accepting the imperfect in oneself and in life."

Chris writes:

This poem, "First Kiss," was the poem that actually started my MG career--that's a story I usually share at book talks or signings--This poem first appeared in a different collection of poetry, but it captures the innocence and curiosity of the main character, Ari, really well.  In this poem, he is remembering  a first experience he had back when he lived in New York before moving to the Bay Area. In the end, the poem wasn't really needed for the overall story-but it holds a special place in my heart. 

First Kiss

Fat kids don’t have girlfriends.

Friends yes, but not kissing,

not even in third grade.

So imagine my surprise

when once, in the backseat 

of our 77’ Caddy,

on the drive home

from the 3rd grade birthday party,

Tonya, her quiet eyes in mine,

put her braid on my shoulder,

and kissed me, twice. 

The first kiss struck my nose,

then squarely she found my lips. 

The next day at school,

I spent hours staring 

out the window, my shoulder 

bending in memory of the braid.

My fingers pushed against my mouth,

trying to remember the cold

suddenness of her lips and breath

that made me.

In All Of Me, I desperately wanted to capture the beauty of the Bay Area setting, so there were many "snapshot" poems like this that simply melted away into other poems: (much better).

The Mountain

across the street

from the nursery

is soft green

and jagged granite,

spotted with dark green

trees that wind

all the way to Muir Woods.

One day, I think,

I want to go up there

into that mountain.

I wonder if I can do it.

Ari wants to be a cryptozoologist! He identifies so much with the creatures that are somehow outcasts--outliers in a world that demands normal.  There were many extra bigfoot (and other cryptid) poems that didn't make it in.  This one speaks to the legendary Bigfoot myths surrounding Central Park.

Mrs. Goldberg tells us

that world is filled

with stories about Bigfoot,

some creature halfway between

a distant relative or something else.

Once,

in Central Park,

on my walk home,

I saw something 

in the wide-armed branches

of an old Beech tree.

A shadow pulled itself 

into a too-high branch,

some unreachable height.

I stopped where the grass

becomes the street

and turned back,

the shadow swung down,

its arms twisting,

the head slightly

tilted, looking at me 

through evening sky. 

I looked at the path,

the dark shapes of trees

like rough curtains

drawing around me.

Still, I wanted to see it up close. 

I felt the calm and the fear

of anything being possible.

They say the smell of Bigfoot

is like rotting flesh, 

like a dog dying,

a gym locker. 

They say that Bigfoot has a cry 

that can silence the forest,

cut darkness in half.

They say that Bigfoot 

is usually kind

but can sometimes be cruel.

I am always looking for Bigfoot.

The impossible creature,

lost in time, 

either so afraid and always hiding,

or maybe brilliant and powerful,

able to hide in plain sight

even though

it's so immense.

Here is a photo of Chris and his kids when he took them to the Bay Area where the book takes place. 

Thank you, Chris, for sharing so generously and for creating this compelling and likable protagonist and sharing his poignant story. Don't miss this honest, heartbreaking and uplifting middle grade novel in verse about body image, family struggles, finding friendship, and self-discovery.

Now head on over to My Juicy Little Universe where Heidi is hosting our Poetry Friday gathering. 

Sad Urdu Poetry Shayari

Bai talab bheek yaha milti hai aty jaty 

Yai wo dar hai kaih jaha dil nahe tory jaty

.

Wo alam kasho ka milna wo nishaat gham kai sayai

Kabhi ro parha tabasum kabhi ashk muskurayai

.

Kis darjah dil shakan thy Muhabbat kai hadsy

Hum zindagi mai phir koi armaa na kar saky

.

Muhabbat ho bhi jayai to maira yai bakht aisa hai

Jaha par hath mai rakh dou waha par dard barh jayai

.

Kon jeeta hai zindagi apni?

Har kise py koi musalt hai

.

Ajab qisa hai zindagi ka

Ajnabi haal poch rahy hain

Aur apno ko khabar tak nahe

.

Zindagi aik pal hai

Jis mai na aaj hai na kal hai

.

Zindagi mai bohut kam mily hain

Wo cheez jisy shidat sy chaha mai ny

.

Yai zaat tamasha ban chuki hai

Dunya kai maily sy thak chuki hai

.

Awqaat sy zyada Muhabbat karli

Es leyai bardasht sy zyada dard mila

Urdu Sad Poetry Shayari Quotes

nahe janat na sahi khair jahanum hi sahi

Itna thora hai mujhy to kise qabil samjha

.

Aksar yai sochta hun kaih moj-e-nafs kai sath

Shah rag mein ghonjta hai lahu ya lahun mai tu

.

Zahid talash-e-hawa mai masjid mai aagayai

rando ny mekdy mai khuda kar leya talash

.

Chilkhy huwy thy Jam parisha the zulf yaar

kuch aisy Haadasaat sy ghabra kai pee gaya

.

Dil jhukana bhi lazim hai Zahid

sar jhukana hi sajda nahe hai

.

Kabhi daikhi hai zindagi mai aise azeya tum ny

koi Ap kahy phir tum kahy phir tum sy kahy kon ho tum?

.

Taire gardan kai es kaly til par

fida mashriq ki tehzeeb hogae

.

Maire ujrat hi samjh kar mujhy ezat dy dyn

Ibn-e-adam tu maire kokh mai boya gaya hai

.

Nach sikha dy uth bhuleya

maira yaar gaya e ros bholeya

EXTRA!! EXTRA! Kip Wilson and WHITE ROSE

I'm continuing my "Extra! Extra!" series, inviting poets to share a poem that did NOT end up in their published book-- and provide a bit of backstory about the choice not to include that particular poem. Did you know that poetry collections and novels in verse are often built upon large selections of poetry and the poet and editor OMIT some of those poems? Yes, indeed! And of course poems may also be edited, moved around, and expanded too. But I'm always curious about that initial selection of poems that MIGHT become a book and how that changes along the way. So, here we go

Here, Kip Wilson talks about her new book, WHITE ROSE, a moving novel in verse about a young girl and her heroism in standing up against the Nazis in Germany during WWII.

"A gorgeous and timely novel based on the incredible story of Sophie Scholl, a young German college student who challenged the Nazi regime during World War II as part of The White Rose, a non-violent resistance group. Disillusioned by the propaganda of Nazi Germany, Sophie Scholl, her brother, and his fellow soldiers formed the White Rose, a group that wrote and distributed anonymous letters criticizing the Nazi regime and calling for action from their fellow German citizens. The following year, Sophie and her brother were arrested for treason and interrogated for information about their collaborators. This debut novel recounts the lives of Sophie and her friends and highlights their brave stand against fascism in Nazi Germany."

Kip writes:

Photo credit © Rosanne Samson

I originally wrote White Rose from three main points of view (Sophie Scholl, her brother Hans, and their friend Christoph Probst), but my editor, Margaret Raymo, thought the story would work better if focused on Sophie alone, and she was definitely right. Back in high school German class when I first learned about the White Rose, Sophie had been the one to grab my attention, and she's been an inspiration to me ever since my teen years. I hope she inspires a new generation of kids now! But for author-me as an adult, Christoph's story really spoke to me as well. Just like Sophie's brother Hans, Christoph was a medical student who loved the natural world around him, who didn't want anything to do with the Nazi regime, and who wanted the war to stop, but unlike the others in the group, Christoph was married and a father of three small children. For the sake of his young family, the others tried to keep him out of their resistance activities. However, when he couldn't remain silent any longer, he wrote a leaflet condemning the German war machine and gave it to Hans, who had this draft in his pocket when he was arrested. This of course meant that it didn't take the Gestapo long to come for Christoph. 

[Here is her "extra" poem from Christoph's point of view.]

Photo of Hans, Sophie, and Christoph 

Scarecrow

The black uniforms

of the Gestapo

stick out 

like giant crows

in a hayfield

when they arrive, 

even here

on a military base.

Their gazes scan

our ranks

our allegiances

our souls

and everyone

even the staunchest Party supporter

twitches with suppressed

apprehension.

But my fear 

bulges into terror

that traps my breath

in my throat

when one of them 

raises a terrible wing,

points it

in my direction.

            Christoph Probst

This beautiful novel in verse is a compelling read and a first-person window into the world of political protest. Rooted in a true story, Wilson channels the passions and dreams of a young woman who looks around her and sees a world that isn't working and knows she must act. It's inspiring and (sadly) relevant today, too. For a helpful educator's guide, White Rose and We Will Not Be Silent, go here. 

For more Poetry Friday posts, head on over to Carol's Place.