Saturday, November 11, 2017

Ghazal: Dard Bhi Bikta Hai Bazar Main

Hum dil jalon ki kismat main tapish-e-afraab aai,
Aur hazrat-e-raqeeb k naseeb noor-e-mehtab aai,

Sehraon ki barish jaisi hai yaad bhi tumhari,
Jo kabhi naa aai ya aai tou behisaab aai,

Namanzori bhi manzor hai is berukhi k badlay,
Lekin paigham-e-mubbat ka koi tou jawab aai,

Uski bewafai k waswason ko yun bhula deta hon,
Aakhir jo khayal aai mujhe hamesha kharab aai,

Ehtaram khoob kerte hain hum unki pardadari ka,
Jaag uthta main jo khuab main woh beniqaab aai,

Dard bhi bikta hai bazar main ghazal ki surat,
Kon inkar kerai jo aansuon ki sharab aai,

ENGLISH TRANSLATION

Burned hearted like us are destined to the sun's scorching,
And my gentleman rival is destined to the moon's light,

Like the desert rain is your memory,
It does not occur and when it does, it is limitless,

A denial is preferred over this indifference of yours,
At least give some answer to my message of love,

I forget the doubts I have, of them acting unfaithfully,
By thinking what thought have I had that is not useless,

Much respect do I have, for there desire to remain hidden,
Wake up I do when in my dreams they come uncovered,

Even pain is sold in the market in the form of a ghazal,
Who does not drink when the wine is made of tears?

- Hassan Bin Fahim

Friday, November 10, 2017

Alice in Wonderland




Alice is sitting with her sister outdoors when she spies a White Rabbit with a pocket watch. Fascinated by the sight, she follows the rabbit down the hole. She falls for a long time, and finds herself in a long hallway full of doors. There is also a key on the table, which unlocks a tiny door; through this door, she spies a beautiful garden. She longs to get there, but the door is too small. Soon, she finds a drink with a note that asks her to drink it. There is later a cake with a note that tells her to eat; Alice uses both, but she cannot seem to get a handle on things, and is always either too large to get through the door or too small to reach the key.

While she is tiny, she slips and falls into a pool of water. She realizes that this little sea is made of tears she cried while a giant. She swims to shore with a number of animals, most notably a sensitive mouse, but manages to offend everyone by talking about her cat's ability to catch birds and mice. Left alone, she goes on through the wood and runs into the White Rabbit. He mistakes her for his maid and sends her to fetch some things from his house. While in the White Rabbit's home, she drinks another potion and becomes too huge to get out through the door. She eventually finds a little cake which, when eaten, makes her small again.

In the wood again, she comes across a Caterpillar sitting on a mushroom. He gives her some valuable advice, as well as a valuable tool: the two sides of the mushroom, which can make Alice grow larger and smaller as she wishes. The first time she uses them, she stretches her body out tremendously. While stretched out, she pokes her head into the branches of a tree and meets a Pigeon. The Pigeon is convinced that Alice is a serpent, and though Alice tries to reason with her the Pigeon tells her to be off.



Alice gets herself down to normal proportions and continues her trek through the woods. In a clearing she comes across a little house and shrinks herself down enough to get inside. It is the house of the Duchess; the Duchess and the Cook are battling fiercely, and they seem unconcerned about the safety of the baby that the Duchess is nursing. Alice takes the baby with her, but the child turns into a pig and trots off into the woods. Alice next meets the Cheshire cat (who was sitting in the Duchess's house, but said nothing). The Cheshire cat helps her to find her way through the woods, but he warns her that everyone she meets will be mad.

Alice goes to the March Hare's house, where she is treated to a Mad Tea Party. Present are the March Hare, the Hatter, and the Dormouse. Ever since Time stopped working for the Hatter, it has always been six o'clock; it is therefore always teatime. The creatures of the Mad Tea Party are some of the must argumentative in all of Wonderland. Alice leaves them and finds a tree with a door in it: when she looks through the door, she spies the door-lined hallway from the beginning of her adventures. This time, she is prepared, and she manages to get to the lovely garden that she saw earlier. She walks on through, and finds herself in the garden of the Queen of Hearts. There, three gardeners (with bodies shaped like playing cards) are painting the roses red. If the Queen finds out that they planted white roses, she'll have them beheaded. The Queen herself soon arrives, and she does order their execution; Alice helps to hide them in a large flowerpot.

The Queen invites Alice to play croquet, which is a very difficult game in Wonderland, as the balls and mallets are live animals. The game is interrupted by the appearance of the Cheshire cat, whom the King of Hearts immediately dislikes.

The Queen takes Alice to the Gryphon, who in turn takes Alice to the Mock Turtle. The Gryphon and the Mock Turtle tell Alice bizarre stories about their school under the sea. The Mock Turtles sings a melancholy song about turtle soup, and soon afterward the Gryphon drags Alice off to see the trial of the Knave of Hearts.

The Knave of Hearts has been accused of stealing the tarts of the Queen of Hearts, but the evidence against him is very bad. Alice is appalled by the ridiculous proceedings. She also begins to grow larger. She is soon called to the witness stand; by this time she has grown to giant size. She refuses to be intimidated by the bad logic of the court and the bluster of the King and Queen of Hearts. Suddenly, the cards all rise up and attack her, at which point she wakes up. Her adventures in Wonderland have all been a fantastic dream.

Black Beauty by Anna Sewell


The story begins in a meadow of 19th century England, where the young horse, Black Beauty, has just been born. There, his mother nurtures him, raises him and gives him advice which he remembers and acts on for the rest of his life: do good and give your best effort always and everything will work out. The story of his life is this advice in living form. As his youngest days pass in that meadow, he witnesses the death of his own brother and a rider in a hunting accident. Soon after, he must undergo the breaking-in process where his trainer gently teaches him to bear a rider, wear a saddle and bridle and respond to the rider’s driving signals. After this coming-of-age training, he is ready to leave the meadow of his youth. He is sold to Squire Gordon, a man who takes a liking to this strong, young, beautifully dark coated horse. Squire Gordon’s residence, Birtwick Park, thus becomes Beauty’s new home. There he meets those who will become among his dearest friends: Ginger, Merrylegs, John Manly and James. John is his new coachman, and a good, wise, gentle old fellow. James and Joe, his two successive grooms, were also quite caring and well-intentioned. So he soon falls in love with his new home and is happy there, except for one problem: he misses his liberty. Never again is he left to do just as he wishes; instead, he will be ordered and ridden by this human or that human without break. The earliest days of his youth are over and he can no longer roam around meadows and spend his days resting with his mother anymore. Despite this loss of liberty, Beauty is still happy to be in this situation rather than a situation where the owner was cruel or neglectful, and soon enough he becomes accustomed to the life-long burden of servitude towards humans. One day when in conversation with his friends Ginger and Merrylegs, he hears stories of wicked masters. The former horse, a powerful, lively mare, tells of her harsh upbringing and how it scarred her for life to have a neglectful master. Thus the horses of Birtwick begin their long discussion amongst themselves concerning the faults in humans rule over horses and the cruelties horses often face.

Together, the horses point out some of the many flaws in the relationship between man and horse. Sir Oliver—an aged horse on Birtwick whose tail his masters cut off--argues that man mutilates the animals within their care in the name of fashion or looking sharp. So they cut tails off or they slice ears for aesthetic purposes. Doing this, he says, they cause a lot of pain and they also interfere with God’s creation, for the body parts that they cut off tend to have some function which they overlooked (like the horse’s tail functioning as a fly-swatter). The blinkers which drivers force horses to wear are similarly misguided: they prevent the horse from seeing and thus interfere with the way God created horses, as the horses point out. Humans should just leave their animals as they were meant to be and not attempt to change that.
As time passes, Black Beauty becomes a more trusted member of the estate. This is mostly due to the fact that one day, Beauty trusted his intuition in an emergency situation and saved the life of his master and driver. So he became a loved member of the hall, especially for John and James Howard his groom. Soon though, James receives word that a friend of Squire Gordon’s is looking for a skilled groom to work for him; the pay and prospect is considerable so with Gordon’s recommendation and John’s advice, James moves on to this new job, but not before another adventure with Beauty where James saves horses from a burning barn, further earning the praise and commendation of Squire Gordon. Joe Green is his replacement, a young, gentle fellow who does not know much about grooming but is eager to learn. One day, Beauty and John dash to a distant town to find a doctor that can come treat the Squire’s wife, who has taken ill. Beauty performs splendidly and it is likely that his speed in going and coming saves the lady’s life. However, in the aftermath of that he becomes ill when the well-intentioned Joe is unable to care for the exhausted horse properly. John becomes furious and when Joe’s father attempts to defend his son by saying it was just the boy’s ignorance and he meant no harm, John utters one of the key themes of the book: ignorance is as harmful as cruelty, despite whatever intentions the person has. But John eventually calms down, forgives Joe and becomes his mentor. Joe learns quickly and—after a touching experience of standing up for oppressed horses—he matures quite rapidly. Life continues happily until the Squire’s wife becomes ill again and the doctor advises them to leave the country for a healthier clime. Squire Gordon and his family thus leave and sell Merrylegs to one buyer and Ginger and Black Beauty to another buyer, the Earl of W, Beauty’s life in Earlshall, while not terrible, is nothing like Birtwick. At this hall his master’s wife demands that all her horses wear the check rein, a device which forcibly holds up the horse’s head, causing it lasting pain and undercutting its pulling strength. She forces the coachman—Mr. York—to put check reins on both Ginger and Beauty. Ginger eventually rebels against this measure and attempts to kick free but is subdued by the grooms. So the two horses become accustomed to this discomfort. When the family temporarily leaves the hall along with Mr. York, Reuben Smith becomes the temporary caretaker of the horses. This man is highly skilled and knowledgeable about taking care of horses, Beauty notes, yet he has one fatal flaw: he has a drinking problem. This issue changes the course of his life and Beauty’s when one day, riding back towards the hall in a drunken state, Smith fails to properly maintain Beauty’s shoes. This results in Beauty’s legs collapsing part-way through the journey, throwing Smith off and killing him. Beauty himself has to undergo a painful medical procedure which leaves his legs permanently scarred. The Earl decides he cannot keep a horse in such a scarred state so he sells Beauty; Beauty goes through a number of buyers until he ends up a job horse to be rented out by drivers. Here for the first time he encounters bad drivers, and, because these drivers often do not know how to properly drive or take care of horses, he receives long-term physical harm. Eventually though a gentleman who takes pity on Beauty convinces his friend to buy the horse and so Beauty becomes the property of Mr. Barry. This fellow, while a good man who orders that the horse be treated well, fails in his selection of caretakers for the horse. Twice he hires grooms who, when Mr. Barry is not watching, behave in ways which further hurt the horse. Mr. Filcher—the first of the two—steals food meant for Beauty and uses it for his own commercial purposes. Alfred Smirk—his replacement—acts as if he knows how to take care of horses but in reality leaves Beauty’s stall in such terrible conditions that the horse becomes ill. After uncovering this second deceptive groom, Mr. Barry decides not to keep the horse at all and instead sends Beauty to be sold at a horse fair.
At the horse fair, Beauty comes dangerously close to becoming the property of a mean, cruel-looking man; but in the end, a kind and empathetic man buys him. This man is Jeremiah Baker—though he goes by Jerry. He works as a cab driver in London and though he does not make much money, he makes enough to feed his wife and son and daughter and to take good care of the horses. Jerry and Beauty take a strong liking to each other right away, and soon Beauty comes to the conclusion that Jerry is the best man he ever knew. Always gentle, cheerful and adept, he helps Beauty adapt to the otherwise disheartening life of a London cab horse. The two, along with Jerry’s other horse—Captain, an old, dignified warhorse—have several adventures together. On one occasion a woman approaches Jerry asking for directions to the hospital to get medical help for her child. He insists on driving her there himself free of charge, and this act of kindness immediately brings returns to Jerry: as soon as he drops her off, he picks up another customer, this time his wife’s old mistress, who offers to find Jerry a less strenuous job and gives him a gift of ten shillings. On another occasion, Jerry—who normally never works on a Sunday as he is a religious man who preserves the Sabbath—agrees to take a woman on Sunday to her dangerously-ill mother outside the city. This act too immediately pays off for Jerry, as he and Beauty—while waiting to bring back the lady--enjoy the beautiful meadow next to the mother’s house in the countryside. This happy part of Beauty’s life, too, comes to an end. In the third winter they are together, Jerry becomes severely ill, nearly dying. His doctor tells him not to go back to the cab business, so he decides to look into the old mistress’s employment offer. With great delight, the family soon receives the news that they will indeed work for this lady, and that they will be living in the country in a nice cottage and Jerry will there be a coachman and receive a comfortable salary. This delight is bittersweet, as it means leaving behind their beloved horse Jack—their name for Black Beauty—and their departing is just as bittersweet for the horse as well since he is happy for their prosperity but sad to leave them and apprehensive about his own future state.
After making a thorough search for a buyer who would be kind to his horses, Jerry decides to sell Beauty to a friend of his who works in corn dealing. His stay there would have been quite pleasant, Beauty notes, had this principled corn dealer been on the premises to watch out for his horses. The problem though was that when he was not on the premises, the foreman would overload the horses in order to increase the productivity of the business. As the foreman continued, day after day, to overburden the loads of the horses, Black Beauty and the other horses began to physically wear out. Soon enough, Black Beauty becomes too weak to work much longer there, and his owner sells him to a cab business owner named Nicolas Skinner. This man employed cab drivers and rented out the horses to them on a daily basis. He was exploitative of these men and they in turn were exploitative of their horses, as they had to overwork the horses to make enough money to pay off the rental fees. At no point in Beauty’s life does he suffer more than at the hands of these harsh-handed men. He continues to try his best though until his health simply deteriorates.  Skinner, having sucked out what benefit he could from the horse, sends him to a horse market. Much like the previous story of the horse market, another kind man takes a liking to Black Beauty and buys him. This time it is Farmer Thorough good, who buys the horse under the encouraging of his little grandson Willie and decides to nurture him back to health before selling him again. The farmer and his grandson take excellent care of Beauty, and the horse, having just come out of the hardest part of his life, begins to feel happiness again. Although Beauty is by now an old horse, he fully recovers and Thorough good takes him to potential buyers. These buyers are Miss Blome field and Miss Ellen, who live in a pleasant house in the countryside. They took a liking to the horse despite the scars on his legs from his old injury. Their groom also approves of the horse, and so they buy him from Thorough good. When the groom then begins to clean Beauty, he notices a few of the horse’s white marks on his otherwise black coat and he says to himself that this horse looks an awful lot like old Black Beauty. As he continues, the marks become unmistakable and he exclaims in joy that this must be Black Beauty and that he himself is Joe Green, Beauty’s old and dear friend from Birtwick. Joe is now a young man and Beauty an old horse, yet there old friendship immediately resurfaces. As it turns out, the ladies of the house are benevolent masters, Joe is an excellent groom and little Willie continues to visit his new friend Beauty frequently, so Beauty finds great happiness and peace in his new home. It is here that the story ends. Beauty is at peace, saying that often now, before he becomes fully awake, he feels like he is again under the trees of the orchard, standing contentedly with his old friends and talking with them.

What We Are Reading Now


We're always reading fine works of poetry. This month on Poetry Matters, instead of an in-depth review or interview, you�ll find three quick posts about what books have captured our attention: 
So take a look�you might find that next great book of poetry or a poet whose work resonates with you. And friends, please do share with us what you're reading. We're always looking for good books!



Karen George tells us about Roberta Schultz's Songs from the Shaper's Harp





Finishing Line Press, 2017
ISBN: 978-1635343175



I'm currently reading Roberta Schultz's second poetry chapbook, Songs from the Shaper's Harp, (Finishing Line Press, 2017). The book is populated by dreamers, singers, and ancestors, as well as fantastical and mythical beings such as sea creatures, ghosts, angels, seers, and sirens. The poems vibrate with mesmerizing cadences of lyrical language, and layered, interconnected imagery of water, shape-shifting, and the boundaries between worlds. She explores and celebrates memory and the imagination; the ways we invent and reveal poems, songs, stories, dreams; and the mysteries that saturate our lives. Color, motion, and sound infuse these poems, along with a deep sense of wonder and reverence for the natural world. These poems examine family and community connections, revealing ways to heal from loss and disconnection we endure as humans. Songs from the Shaper's Harp resonates with emotional intensity that pulls you into its worlds, and haunts you into returning for more. 





Anthony Fife discusses Jennifer Kronovet�s The Wug Test


The Wug Test
by Jennifer Kronovet
Ecco, 2016 (National Poetry Series)
ISBN: 978-0062564597


Through a careful balance of personal, character-based poems and disinterested, clinical poems, Jennifer Kronovet�s The Wug Test (2017), reminds me precisely what I love about poetry and language.  The spoken word, either through its presence in our lives or its conspicuous absence, in one way or another touches us all.  We often take language for granted, however, opting for lazy or thoughtless talk when we are capable of so much more.  Kronovet and her collection allow for no such carelessness. 

What of the child raised by the voiceless?  What of the child whose language is systematically prohibited?  Such matters are pondered in The Wug Test, and the reader walks away more knowledgeable and in awe of our spoken word.








Nancy Chen Long comments on Hannah Sanghee Park's The Same-Different

The Same-Different
by Hannah Sanghee Park
LSU Press, 2015
ISBN: 978-0807160091


The Same-Different is Hannah Sanghee Park�s first book and winner of the Walt Whitman Award, which is awarded by the Academy of American Poets to a poet for a debut book of poetry. While there is so much to admire in Park's book, the thing I'll lift up in this short overview is Park's deftness with language, her  celebration of it.

The Same-Different divided into three titled sections. The first section, titled �The Same-Different,� is comprised primarily of sonnets (or 14-lined poems, at least), that make use of puns and linguistic and sonic echoes to explore similarity and difference, and to a lesser extent, to work against a strictly binary view point. Take, for example, this poem that riffs of off true/false:

          T/F

          It is the long con,
          the construct of it.
          You are always on:

          Magnet and dragnet.
          No use avoiding
          the obvious us.

          We live on a wing
          and a prayer, thus:
          first cry foul, then wolf.

          I have had so much bad
          faith in our future
          I don't know what to do.

          This statement is false.
          This falsity true.


The second section of the book, �A Mutability,� contains 12 sonnets, one for each month of the year. The title of each sonnet references a mythical character from a different culture, such as �Narcissus in January� and �Norroway in February.� The poems in this section explore love and lover, for instance these lines from �Nagual in November�:
. . .
Shapes were aped: now you're the very man
to swap identities. To hell with costs

and costumes: child�s play, acting beneath
your skill for a life undercover.
I�m duped, and due for unending grief
by the form first took: someone�s lover,

someone's rock, someone's ever-longing con.
. . .

The third section, �Fear,� is one poetic sequence of fifteen untitled poems prefaced with a poem titled �Preface to the Fear/False Spring." These poems stray from the sonnet form and make beautiful use of white space. This section centers more on (a) relationship(s). The poems are exquisite and poignant, for example the portion of a poem, shown below.

I find The Same-Different to be an impressive and compelling book. If you are drawn to lyric, language-leaning poems, this book sure to delight. I'll leave you with this snippet from the third section of the book on page 52:

          The light flinches, and I fear.



          As the snow heaped proportional to sheets,
          trees balancing snow for some time,

          then the universal gesture for giving up.



          The snowplow darkens the road



          There are runs in my stocking like plowed road,
          revealing         a clearing.


          I adore you. Am I to pretend otherwise.
          . . .

Thursday, November 9, 2017

The Story of My Life by Helen Keller



Helen Keller was born on June 27, 1880 in the small town of Tuscumbia, Alabama. When she was a year old, she was stricken with an illness that left her without sight or hearing. In the early years after her illness, it was difficult for her to communicate, even with her family; she lived her life entirely in the dark, often angry and frustrated with the fact that no one could understand her. Everything changed in March of 1887, when Helen's teacher, Anne Sullivan, came to live with the family in Alabama and turned Helen's world around.

Miss Sullivan taught Helen the names of objects by giving them to her and then spelling out the letters of their name in her hand. Helen learned to spell these words through imitation, without understanding what she was doing, but eventually had a breakthrough and realized that everything had a name, and that Miss Sullivan was teaching them to her. From this point on, Helen acquired language rapidly; she particularly enjoyed learning out in nature, where she and her teacher would take walks and she would ask questions about her surroundings. Soon after this, Helen learned how to read; Miss Sullivan taught her this by giving her strips of cardboard with raised letters on them, and then having her act out the sentence with objects. Soon, Helen could read entire books.

In May 1888, Helen went north to visit Boston with her mother and teacher. She spent some time studying at the Perkins Institute for the Blind, and quickly befriended the other blind girls who were her age. They spent a vacation at Brewster in Cape Cod, where Helen experienced the ocean for the first time. Following this, they spent nearly every winter up north.

Once she had learned to read, Helen was determined next to learn how to speak. Her teacher and many others believed it would be impossible for her to ever speak normally, but she resolved to reach that point. Miss Sullivan took her to the Horace Mann School in 1890 to begin learning with Miss Sarah Fuller, and Helen learned by feeling the position of Miss Fuller's lips and tongue when she spoke. The moment she spoke her first words, "It is warm," was a powerful memory for her: she was thrilled that she might be able to speak to her family and friends at last.



The winter of 1892 was a troubling time for Helen. Seemingly inspired by the beautiful fall foliage around her, she wrote a story called "The Frost King," and sent it up to her teacher at the Perkins Institute as a gift. It soon came out that Helen's story was quite like another in a published book, called "The Frost Fairies." Helen had been read the original story as a child, and the words had remained so ingrained in her mind that she'd unwittingly plagiarized them when she wrote her own story. This tainted Helen's relationship with her Perkins Institute teacher, Mr. Anagnos, and made her distrust her own mind and the originality of her thoughts for a long time.

In 1894 Helen attended the Wright-Humanson School for the Deaf in New York City, and began studying formal subjects like history, Latin, French, German, and arithmetic. In 1896, she began her studies at the Cambridge School for Young Ladies in Massachusetts, which would prepare her to eventually attend Radcliffe College, the women's college affiliated with Harvard University. This was her first time attending school with girls who could see or hear, rather than other students who were also deaf or blind. Though it was a challenge, she persevered; however, her mother eventually withdrew her from the Cambridge School to finish her Radcliffe preparation with a private tutor, because they did not agree with the Cambridge School principal's wish to lighten Helen's course load. She successfully qualified for Radcliffe in 1899, and entered college in the fall of 1900. Though college presented unique obstacles for Helen to overcome, she deeply appreciated her opportunity to attend.

Helen uses the final chapters of her memoir to discuss certain things that are particularly important to her, like her love of books, her favorite pastimes, and the friends she made who shaped her life. Two additional sections of the autobiography include Helen's personal letters written throughout her youth, as well as supplementary commentary by her editor, with a first-hand account by Helen's teacher, Anne Sullivan.


Tuesday, November 7, 2017

English for Business Purpose

American Orientalism


Click here to evaluate my presentation



Horror and Suspense in Poe's Short Stories and movies

Slavery in Africa in Context of Master-Slave relationship in "Waiting for Godot"

Presentation on How far does play reflect the theme of Existintialism.

Presentation on Robert Froust as a nature poet.

Presentation on Black skin white Masks by Fanon.

Presentation on What is Second Language acquisition.

Saturday, November 4, 2017









Reading Tonightwith Peter Manson



fresh from the symposium

on the man & his work

at the University of Glasgow



@



The Hiding Place



in the Bok Building

1901 S. 9th Street



Room 306



Philadelphia



7 to 10 PM