Difference between National Language and Official Language

A national language is a source or sign of identity for a nation or a country. National language gets its status because it is spoken by majority of the population as the first language. Apart from a few exceptions, such as India and Australia, almost all countries have a national language. A national language may also be an official language in a country, like Bengali in Bangladesh.

An official language is a language that is given a special legal status in a particular country, state, or other jurisdiction. Typically a nation's official language will be the one used in that nation's courts, parliament and administration. Although most of the countries have one official language, a country may have more than one official language for historical, political and linguistic reasons. For example, in India there are 22 official languages; each state and union territory adopts one or more official languages.

A national language, however, should not to be confused with an official language. These terms are entirely separate concepts as they are theoretically different. The basic difference between a national and an official language are appended bellow:

National Language	Official Language
Defines the people of the nation, culture, history.	Defines the existence of legislation and sovereignty of the nation.
A national language by default can become the Official language.	An Official language has to be approved legally to become the National language.
Used for general communication.	Used for official communication.
Is a socio-cultural manifestation.	Is a politico-geographical manifestation.
Has nationalism as the core function.	Has nationism as the core function.
Its function is primarily symbolic.	Its function is primarily utilitarian.

Sad

Chor dia aj sb ki bilawaja tang krna

jb koi apna smjta he tu ahsaas dilany ka kia failda

larka or lrki

larka:Tm badl gai ho

lrki:ab kreem khtm ho gai hai tu mera kia qasoor

Kabhi un ka naam lena kabhi un ki baat karna - Peer Naseeruddin 'Naseer'

Kabhi un ka naam lena kabhi un ki baat karna !

Mera zauq un ki chaahat, mera shauq un pe marna !

Wo kisi ki jheel aankhen wo meri junoon-mizaji,

Kabhi doobna ubhar kar kabhi doob kar ubharna !

Tere manchalon ka jag mein ye ajab chalan raha hai,

Na kisi ki baat sunna, na kisi se baat karna !

Shab-e-gham na poochh kaise tere mubtala pe guzari,

Kabhi aah bhar ke girna, kabhi gir ke aah bharna !

Wo teri gali ke tewar, wo nazar nazar pe pahre,

Wo mera kisi bahane tujhe dekhte guzarna !

Kahaan mere dil ki hasrat, kahan meri na-rasai,

kahaan tere gesuon ka tere dosh par bikharna !

Chale lakh chaal duniya ho zamana lakh dushman,

Jo teri panaah mein ho use kya kisi se darna !

Wo karenge na-khudai to lagegi paar kashti,

Hai 'naseer' warna mushkil tera paar yun utarna !

~ Peer Naseeruddin 'Naseer' r.a.

کبھی کبھی جب وقت ملے تو اپنے گھر بھی جاتے رہنا

اپنا تو یہ کام ہے بھائی، دل کا خُون بہاتے رہنا

جاگ جاگ کر ان راتوں میں شعر کی آگ جلاتے رہنا

اپنے گھر سے دُور بنوں میں پھرتے ہوئے آوارہ لوگو

کبھی کبھی جب وقت ملے تو اپنے گھر بھی جاتے رہنا

رات کے دشت میں پھول کھِلے ہیں، بھولی بسری یادوں کے

غم کی تیز شراب سے ان کے تیکھے نقش مٹاتے رہنا

خُوشبو کی دیوار کے پیچھے کیسے کیسے رنگ جمے ہیں

جب تک دن کا سُورج آئے، اس کی کھوج لگاتے رہنا

تم بھی منیرؔ اب اِن گلیوں سے اپنے آپ کو دُور ہی رکھنا

...اچھا ہے جُھوٹے لوگوں سے اپنا آپ بچاتے رہنا

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Narazgi Poetry in Urdu and English

The best and the saddest stuff about love is that it cannot be stated in words. Therefore, we have selected a list of the New Urdu Sad Poetry Images in 2 Lines.
These famous Narazgi Poetry pics and Narazgi Shayari can ease anyone describes their emotions in poetry.

Some of these Narazgi Poetry pics are from people who endured the spirit of love, centuries of years before us, while others come

Bheekha jua khel prem ka kadi na aaye haar !

Jin ke hirday har basey wo jeete sau sau baar !

~ Hazrat Meeran Bheekh Chishti Sabri r.a.

apna gunahgaar

Sau jaan se ho Jaunga raazi main saza par,

Pahle wo mujhe apna gunahgaar to kar lein !

~ Akbar Ilahabadi

This coming Monday



The Fab Fourcome to the

Black Sheep Pub & Restaurant

247 S. 17th Street

Phil-EYE-delphia



7:30 - 9:30 PM





Levi Bentley



Tom Mandel



Anna Strong Safford



Ron Silliman

Ishq hai dillagi nahin

अब कोई बात भी मेरी माना के होश की नहीं
आपको भूल जाऊँ मैं, ऐसी तो बेख़ुदी नहीं

तीर पे तीर खाए जा, और यार से लौ लगाए जा
आह ना कर, लबों को सी, इश्क़ है दिल्लगी नहीं

आह! मेरी शब-ए-फ़िराक़, हाय ! मेरी शब-ए-फ़िराक़
यानि कि आज शाम से, तारों में रौशनी नहीं

तेरे करम से बेनियाज़, मुझे कौन सी शै मिली नहीं
झोली मेरी तंग है तेरे यहाँ कमी नही

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ab koi baat bhi meri maana ke hosh ki nahin
Aapko bhool jaaun main aisi to bekhudin nahin

Teer pe teer khaaye ja aur yaar se lau lagaaye ja
Aah na kar labon ki sii ishq hai dillagi nahin

Aah meri shab-e-firqa, haaye meri shab-e-firaq
Yaani ke aaj sham se taaron mein roshni nahin

Tere karam se beniyaz mujhe kaun si shai mili nahin
Jholi meri tang hai Tere yahan kami nahin

Ben Friedlander jokingly introduced
me at the 2017 National Poetry Foundation conference on the poetries of the
1990s by saying that that decade had been “the period between language poetry
and Silliman’s Blog.” Later, in one of those hallway conversations that proves
so fruitful at events like this, Ben and I talked more seriously about how one would periodize language writing, if one

Muhabat

kamal ki Muhabat krta hai wo shaks hm sy

jb dil chaha hansa dia jb dil chaha rula dia

Tawaaf-e-kaaba-e-dil

Suna hai arsh-e-Elaahi isi ko kahte hain,

Tawaaf-e-kaaba-e-dil hum ne subh-o-shaam kiya !

~ Peer Shah Muhammad Aziz

China has to know by now that it
can seize Taiwan any time it wants and that Trump has so ravaged the US’
ability to mount a coalition in opposition to anything it would be a done deal. The Taiwanese have to know this
also. Remember the second Kennedy-Nixon debate when Nixon accused JFK of being
unwilling to use nuclear weapons to defend Quemoy
& Matsu? Do you think Trump has even heard of

Larki or Dukandr

Lrki: yh T V kitny ka hai
Dukandr: 60000 ka
lrki: itna mhnga esi kia khas bt hai es ma
dukandr: khas bt yh hai k light jany k baad yh automatic band ho jta hai
lrki : ohhhh pack kr do phr tu

The Code Hero

The code hero is associated with Earnest Hemingway’s novels. Professor Paul Totah maintains that Hemingway defined the code hero as “a man who lives correctly, following the ideals of honor, courage and endurance in world that is sometimes chaotic, often stressful, and always painful.” Again, Phillip Young considers the code hero as an individual who “offers up and exemplify certain principles of honour and courage which, in a life of tension and pain, make a man a man and distinguish him from the people who follow random impulses [...] and are [...] perhaps cowardly, and without inviolable rules for how to live holding tight.”

The concept of the code hero heavily stemmed from the post-World War I disillusionment. The code hero generally adheres to some specific individualistic code or behaviour that significantly controls his decisions and conduct. Such hero has a recurrent presence in Hemingway’s novels. Some of Hemingway’s most memorable code heroes include: Frederick Henry of A Farewell to Arms, Jake Barnes of The Sun Also Rises, Robert Jordan of For Whom the Bell Tolls, and Santiago of The Old Man and the Sea.

The term “Code Hero” was coined by the scholar Phillip Young (1966). Some other terms for defining Hemingway’s heroes include the “Hemingway Code Hero”, and the “Hemingway Man”. But regardless of dissimilar names all of Hemingway’s protagonists display the same characteristics:

• The code hero is courageous and honorable.
• He is righteous and will not comply with evil.
• He is essentially individualistic and free willed.
• The code hero is adventurous and has a predilection for travelling.
• He neither shows emotions nor does he give any commitment to women or social convention lest he becomes weak.
• The role of the code hero is always played by a man.
• He is generally a wounded man, not only physically but also psychologically.
• He is a man of action and never boasts his achievements.
• He does not judge others since he views men objectively.
• He strives hard to break away from the customs of the conventional society, thereby alienating himself from the world.
• He suffers from sleeplessness due to being tormented by his thoughts and ruminations.
• He believes that life is enjoyable and it denotes everything while death is nothing (nada) and thus life after death is nonexistent.
• Death frightens him since it is the end of everything and thus he tries his utmost to avoid death at any cost.
• Night is a difficult time for the code hero because it implies to utter darkness which ultimately reminds him of death. Therefore, most code heroes are either afraid of the dark or avoid night by drinking, partying, or staying awake.
• Although he fights hard in this violent and desolate world to live properly, he is rarely the winner.
• The code hero catches many women’s attention and he sees them nothing but objects of lust and gratification.